If you ever wanted to know a certain way to make your landscape photos stand out, it's to photograph them in fog.

As the sun rises the fog changes the landscape in an even more atmospheric and surrealistic environment. The potential of a great photo is there. But it is also very easy to be disappointed with your fog photography.

Here are some tips to help you make those mood shots.

Let’s Cover Up The End Of The World And Pretend That Nothing’s there!

What is the difference between fog and mist?

Before you can take great photos of foggy backgrounds, it is worth knowing what they are. And how they can influence your photos.

Both mist and dense fog are created by water droplets. But there are some differences. Dense fog is a cloud that reaches the ground level, while mist forms when water droplets are in the air.

Dense fog generally lasts longer. It also reduces vision more than mist. This means that you may not be able to shoot as far in the distance as when the light is foggy or misty.

It is important to know this because you have to plan your shoot and locations in advance. If you are planning to photograph some vistas, you may not be able to see them if it is foggy.

Kotor Bay

Light mist keeps everything visible more or less

Location Scouting for foggy and misty images

To be able to take photos of fog or mist, your first challenge is actually when it occurs. This requires some planning and also spontaneity, so that you can go to a location in the short term.

Start monitoring weather forecasts and be ready to act as soon as you are likely to get fog or mist.

The second part of a successful shoot in this scenario is to know from where you will be shooting. Although mist can last longer, the mist is likely to disappear quickly.

You must have already scouted a number of locations so you don't have to waste time looking for a good place.

The best time to photograph both phenomena is early in the morning. So set your alarm early and try to reach your location one hour before sunrise. If that fails, you need a little more luck.

Start taking photos right away, because you can take some nice early morning photos before the sun comes up. But the most important thing is to be ready for sunrise, where you will probably get the best light source.

Usually the best way to photograph fog or mist is when it is lit from behind (i.e. the sun in front of you). So position yourself to make the best of it.

Foggy Night

Settings for foggy or misty landscape photography

With fog or mist it is not always easy to take great photos. No matter how advanced modern digital single-lens reflex cameras are, they are still often fooled by the scene in front of you.

In the case of fog or mist, your two biggest challenges are focus and exposure.

The fog or mist acts as a diffuser or softbox so that you notice a lack of contrast. This contrast in a scene is what the autofocus of the camera focuses on.

If you have ever tried to take photos in these circumstances, you may have noticed that the camera is trying to focus but that is not possible. The solution is usually to try to focus manually.

To be able to do this accurately, you must find an interesting point to use as a focus point. If you use a greater depth of field, you also ensure that more of your photo is sharp.

The second challenge when shooting under these conditions is getting the right exposure.

When you photograph a large area that looks white, your camera's built-in light meter is misled. Because of all that white, it will try to reduce the amount of light entering the camera.

As a result, the shot is underexposed. For example, take a photo of someone dressed in white for a white background. You will see that the white areas look gray.

To prevent this problem, you must overwrite the camera and overexposure your image. This cancellation is called "exposure compensation."

For fog or fog photography, you should probably set 1/2 EV to 1 EV exposure compensation.

Compensate exposure

Use a tripod to keep your ISO low

Because you are usually confronted with low light, you must also ensure that your photos do not suffer from camera shake. It is essential that you use a sturdy tripod wherever possible.

This allows you to keep the ISO low and have a greater depth of field. If you cannot use a tripod, your only alternative is to raise your ISO.

This means that you can have a shutter speed that is fast enough for handheld photography. But keep in mind that the more you raise the ISO, the more noise will appear in your photo.


Compose your shot for more contrast

Foggy or misty backgrounds lower the contrast level in a scene. While our eyes can adjust and give us that sense of depth, the camera cannot.

Your image will look flat without careful consideration of the composition. The best way to achieve this depth of field in your photo is to view it as layers. Each layer represents an interesting point.

The closer that layer is to you, the more pronounced edges will look and therefore stand out more.

Try to compile your recording with different elements to give that feeling of depth in the image.

Even if that means that there is something in the distance and you can only see a silhouette. In combination with other elements in the foreground, this produces a pleasant result.

Other composition techniques that you can use to frame your recording are things like leading lines. This can be a road that starts in the foreground and disappears in the distance into the fog or fog.

If you can build the composition with different layers, you get a much more intriguing image.

Recognize the layers


Fog or mist photos can produce some of the most stunning and suggestive landscape photos. If you can photograph something in these circumstances, do so.

Even what could be an everyday street scene during the day will be transformed with some fog or mist and a street lamp or two.

In addition to the great photos that you will eventually receive, it also helps you to become a better photographer.

For most amateur photographers, this means manual focus, exposure compensation and more attention when compiling your photo. All things that usually fall outside of their comfort zone.

Do it right and you end up with great photos of fog or mist.

Room With A View?
Fog with a toning


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